Overview
Space Age Rhythm brings you the authentic sound of a mid-century studio rhythm section, including:
Bossa guitar with split keyboard mapping combining quintessential chord voicings for 11 chord types in the upper register and independent bass notes in the lower portion, with a unique chord pattern assistant.
Retro drums with multiple dynamic layers, round-robins, vintage tone. Techniques include sticks, brushes, and mallets. Done the Authentic Soundware way.
A rare 1960s tube organ with 5 sampled registrations and unique tone controls for quirky melodies.
Authentic Cuban percussion ensemble featuring vintage-sounding conga, timbales, bongos, cowbells, wood blocks, clave, guiro, triangle, maracas, and tambourine. 3 mic positions.
Twangy hollow-body electric guitar with 11 articulations including two legato modes and generous use of a Bigsby vibrato tailpiece. Recorded direct for use with your favorite amp modeler, or use the included adjustable amp setting.
Upright bass with sustain and staccato articulations and 2 mic options performed by one of NYC’s premiere jazz bass players.
Lap steel oozing with cosmic quirkiness. A multitude of different articulations, DI and amp-modeler.
The Recordings
We went all out on recording this project as authentically as possible. Working in some of New York’s best studios, we captured the sounds of a classic studio orchestra using the tools and techniques of the era. A brief list of the coveted classic gear we used includes, original Neumann/Telefunken tube U47s (3), RCA 44 ribbon mics (3), RCA DX77 ribbon mics (2), Altec and Ampex tube mixers, Pultec EQs, and a Fairchild-style compressor.
The Authentic Soundware Difference:
- Truly authentic-sounding recordings
- Access to the very best musicians in NYC
- Sounds and articulations you can't find anywhere else
- Vintage gear and recording techniques
- Watermarked files delivered via the Pulse downloader
- Kontakt format compatible with all major DAWs (Ableton, Logic, Cubase, ProTools, GarageBand, Studio One, Reaper, FL Studio 20)